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Overview of the Online BA in Cinematic Arts & New Media

Please review the following important points related to this program, and enter your information in the agreement form below.

Consciousness-BasedSM education was developed by the University’s founder, Maharishi Mahesh Yogi, so that students not only gain professional skills and knowledge in different fields of life but also develop themselves from within to unfold their full potential. Self-exploration is at the heart of an MIU education. By directly experiencing your innermost nature through the Transcendental Meditation® technique, you can easily connect each discipline to your own life, and see the underlying unity of all knowledge. In every course at MIU, in addition to learning the knowledge of the subject, you will explore the connection of that knowledge with consciousness – your innermost Self.

Transcendental Meditation is a simple, natural, effortless procedure to develop students’ full creative potential from within and to improve the overall quality of life. Extensive published research has found that regular TM practice reduces stress, promotes integrated brain functioning, increases creativity and intelligence, and enhances learning ability and academic performance. For these reasons, all students are required to practice the TM technique each day for about 20 minutes in the morning and afternoon. Online students are required to learn Transcendental Meditation before their academic program begins.

You’ll also learn two simple and effective methods for creating and maintaining a balanced state of health and gaining maximum benefit from your TM practice:

  • simple yoga postures (called Maharishi Yoga Asanas) for flexibility and mind-body integration
  • a simple breathing exercise (called pranayama) for enlivening your mind and body

Accepted US applicants will receive no-cost TM instruction by using an MIU grant at their local TM Center. International applicants should consult with their nearest TM center.

To find a teacher of the Transcendental Meditation technique, visit www.tm.org

Initial Participation in a Course
Online students will be automatically withdrawn from a for-credit course if the student does not participate in at least one academic assignment of the course (e.g quiz, forum posting, essay, or other activity specified in the course syllabus) by Day 7 (11:59 pm Central time) after the course-begin date that is published in the Schedule of Courses or the MIU Academic Calendar.

The 14-Day Rule
During the length of the course, a student must participate according to the course syllabus on a weekly basis. Students who do not participate (for example, by submitting a quiz, test, forum posting, written assignment, or substantive question to the instructor) within any 14-day period will be automatically withdrawn from the course.

Students who are not able to complete the final work of a course, typically in the final week, due to illness or family emergency, or other compelling circumstances beyond their control, may petition the professor in writing to grant more time. If the petition for additional time is granted by the professor, the professor and student will form and sign a Late Work Contract, including the specific assignments that need to be completed and their due date(s).

Students may not hand in work after the last class session of a course unless they have made prior arrangements with the course instructor. All students are given a grade at the end of the course based on 1) completed work, 2) in-class performance, and 3) work not yet completed.

Categories of late work contracts

Standard Late Work Contract
The student and professor agree that the incomplete work is to be completed within 10 days of the end of the course. Most incomplete work should be made up during the weekend after the final day of a course.

Extended Late Work Contract
In the event the student was sick or otherwise incapacitated for this final weekend, the student has up to 42 days from the end of the course to submit work—except when the course ends at the end of the semester, in which case the final grade must be submitted 2 weeks after the last day of the course. The faculty may also request documentation of the illness or other emergency.

Eligibility
This petition should not be used generally in the case of students who do not meet the Course Participation Policy for Distance Education Students. These students should be given an NW, W, or WH depending on the circumstances. Nor should it be used when the student would like to re-do work for a better grade. The petition is only to cover work that cannot be submitted on time due to illness, family emergency, or other compelling circumstances.

To maintain satisfactory academic progress and eligibility to attend the University, students must meet three standards listed below. These standards are evaluated at the end of each semester. If a student is not meeting any one of these standards, the student is placed on “Academic Warning” for that standard for the following semester. A student not meeting that standard by the end of the “Academic Warning” semester will no longer be eligible to attend the University. Students on academic warning are not eligible for Rotating University courses, directed studies, or internships (except when required by the department for graduation).

Standard #1
Grade Point Average Undergraduates must maintain a 2.0 Grade Point Average (GPA), and graduate students must maintain a 3.0 GPA. Repeated courses use only the higher grade. Transfer credits earned at other institutions are excluded from the GPA calculation. Students who fall below the designated level are put on warning for the next semester.

Standard #2
Completion Rate Undergraduate students must complete two-thirds of instructional credits attempted, within the current degree (excluding RC and REC courses, but including DC courses). Unattended courses are removed from the student’s record and are therefore excluded. Grades of “W,” “WH,” “NC,” “NW,” “NP,” and “AU” are counted as credits attempted but not completed. Transfer credits are not counted as attempted or completed.

Standard #3
Maximum Time Frame Undergraduate students may attempt a maximum of 150% of the number of credits normally required to complete their program. For example, an undergraduate degree requires 128 credits so undergraduates may attempt a maximum of 192 credits to complete their program, including transfer credits, double majors, and switching majors. A student who has 174 credits is placed on “Warning” status the following semester.

To maintain satisfactory academic progress and eligibility to attend the university, graduate students must maintain a 3.0 GPA. Students who fall below a 3.0 GPA are put on warning. Additionally, failure to maintain a 3.0 GPA can result in dismissal from the University.

A computer with a reliable internet connection is required to access MIU courses and complete the course activities and assignments. Smartphones and tablets do not possess the functionality necessary to complete all the assignments.
The Department of Student Life fosters student success by creating and promoting inclusive, educationally purposeful services within and beyond the classroom. Visit the Student Life department webpages for a complete list of their services.

At MIU Student success is our top priority! Below are some vital resources that can help to ensure your learning experience with us is a positive and fulfilling one.

  • Accessibility
    Contact: Lydia Hickman, Accessibility Officer
    Email: accessibility@miu.edu
  • Transcendental Meditation Support
    Contact: Julie Beaufort, Director of Development of Consciousness for Online Students
    Email: tmsupport@miu.edu
  • Library
    Tel: (641) 472-1154
    Email: library@miu.edu
  • Writing Center
    Online students can receive help at any stage of the writing process.
    Email: writingcenter@miu.edu
  • Tutoring
    Contact: Rachael Kunzler, Director of Student Support Services
    Email: rkunzler@miu.edu
    Tel: (641) 732-2667

Students needing to withdraw from an online credit course must inform their instructor and the MIU Online department of their intent to withdraw. Refunds for online degree-seeking withdrawals are on a per semester % attended basis. See Reductions in Charges and Financial Aid.

Online students who have been withdrawn must reapply and be accepted by the Office of Admissions at miu.edu/application before continuing their online studies.

Online students are responsible for covering equipment and software costs. Some US students opt to use a portion of their living expenses federal loan eligibility to cover these costs. We recommend that you save up between $500-$1000 per semester for equipment and software.

We use up-to-date, industry-standard software like the Adobe Creative Cloud. As a student, you are required to purchase your own Adobe Creative Cloud license. It costs $19.99/ month for the first year and then $29.99/ month every year after that. On top of that, you’ll have to purchase your own equipment. We will provide you with links to find the best computer, camera, lighting and sound equipment for your budget. Speak with your financial aid officer about additional grants and loans for purchasing equipment.

Since we offer an on-campus program as well, US students can opt to come to campus for a semester any time during their education. We have professional Film/Video, photography and sound studios as well as Youtube and podcast rooms and a Media Lounge available for our on-campus students. There is a lab fee of $20/class that covers use of equipment, software and studios.

Courses may include

    This course examines the essential role of narrative in the creation of all forms of media. From the very beginnings of human records, whether it be mythology, scripture, literature, or the earliest cave paintings, the creators of these works have always told their audience a story or imparted a message by the use of narrative. In order to work in any creative medium, understanding the various ways in which narrative is used is a great advantage. This course will examine the range of narrative forms and narrative devices that have been used since the dawn of time right up until the modern day. We will discover that although the forms and types of media used might have changed as technology has advanced, in fact, most of the essential forms of narrative used in creative works have been with us for ages. Understanding why will reveal how narrative reflects both the universal and unique aspects of the experience of human life. As part of the course, students will be required to undertake projects that aid the development of their own narrative skills. This is a writing-intensive course. Prerequisites: WTG 191 or equivalent. (4 credits)
    Learn to harness the power of online marketing by using social media platforms — such as YouTube, Facebook, Twitter, Instagram, Pinterest, LinkedIn, and other current favorites — for their current, future, or imagined businesses. Students will gain hands-on experience with visual marketing and modern content marketing. Topics of exploration include how to find and attract an audience to help solve their problems, organizing followers and friends to reach more people; the visual marketing creation process using, for example, large images, memes, and GIFs; e-commerce tools for social media; and developing a social media marketing strategy to successfully reach more people online. Prerequisite: basic computer skills (4 credits)
    Cinematography is the art of telling stories through moving images. By balancing camera angles, movements, and light, cinematographers translate the director’s vision into powerful images. In this course, students will learn the language of cinematography in its technical and aesthetic forms. We will explore the fundamentals of camera position and light setups. Students will practice camera movements via supported (tripod, jib, dolly, etc.) and handheld techniques, and will learn about the power of the frame in conveying story. Students will understand that clarity of mind, broad vision, and attention to detail are the cinematographer’s greatest assets, and that these develop with the growth of consciousness. Prerequisite: basic computer skills, Adobe Creative Cloud and additional camera equipment (4 credits)
    Video editing requires the student to be able to synthesize all the different elements of their video into a greater whole. The emphasis of this course is on exploring the craft of editing and the techniques used to maximize the emotional impact of the story. Students will study examples of work by accomplished editors and discover ways to build momentum and render the cut ‘invisible’. Topics include: the language of the cut, the 180-degree system, and Murch’s Rule of Six. Students will become expert in utilizing 2018/19 218 non-linear editing tools through daily editing assignments. Students will learn keyboard shortcuts and advanced trimming tools, transitions, filters, titles, keyframes, compositing tools, audio mixing, color correction, capturing and outputting. Towards the end of the course some production time will be allotted so that students may edit a final piece of their own. Students may also bring in footage that was shot previously for their final project. (4 credits) Prerequisite: MC—F282 or MC-F288 or MC-F310 or CANM282 or CANM284.
    Podcasting has become an increasingly popular and universal way to tell stories. In this course, students will learn the industry standard tools for podcasting and learn the fundamentals of audio recording, cultivate a clear and confident voice, develop a long-term strategy for their podcast, produce a script, and publish their content online. Students will learn industry-standard software and hardware (microphone, Audacity, online distribution channels), experiment with editing, mixing techniques, implementing music, sound effects, and silence to create an enriching listener experience. Students will also have the opportunity to research various styles of podcasting to expand their definition of audio storytelling and find a definitive voice that is uniquely their own. Students will explore how the nature of sound design can both expand and transcend the intended message to connect to the underlying source of the senses, pure consciousness. Prerequisites: Basic Computer Skills (4 credits)
    In this course, students will learn about the latest smartphone technology to capture high-quality images and post-process them with the most powerful smartphone apps available. Students will learn applications and programs such as Adobe Lightroom and Adobe Photoshop. Each section of the course will focus on specific aspects and styles of photography and photo processing. The course will include fun photography challenges to push our creative limits to the edge. Prerequisites: basic smartphone skills, basic computer skills, Adobe Creative Cloud License. (4 credits)
    Explore the fundamental principles of design using Adobe Photoshop. In this course, you will be introduced to the tools to create a wide range of projects turning your imagination into reality. You will have the opportunity to create professional designs, digital collages and graphic art. Deepen the understanding of your creative process and articulate your ideas from abstract to concrete. Prerequisite: basic computer skills, Adobe Photoshop. (2 credits)
    In this course, students will explore and learn in-depth methods of animation, ranging from motion graphics, collage, stop-motion and experimental methods of digital animation to achieve a wide range of possibilities. This class will focus on teaching the basics of the Adobe suite, including Photoshop, After Effects, Adobe Character & Premiere through Dynamic Link. Prerequisite: CANM 260 or MC291. Adobe Creative Cloud. (4 Credits)
    Students learn the basic skills of film production by participating in the production of a variety of different scenarios, scenes and subjects. They will learn to handle and care for production equipment including lights, stands, cameras, and sound equipment. We will explore the different roles and responsibilities to be played in the process of filming a scene. This includes a director, director of photography, gaffer, grip, electrician, art department, assistant directors, and production assistants. Prerequisite: basic computer skills. (4 credits)
    This course is designed to teach the technical aspects of on-set filmmaking. Students will acquire the technical knowledge and skills of using on-set filmmaking equipment to improve understanding, quality, and efficiency on any set, from small video productions to big-budget films. Throughout the course, students will be exposed to various assignments that highlight the fundamentals of being a specialized technician on set in the Camera Department, Sound Department, Lighting Department, and the Digital Imaging Technician Department. Prerequisite: Basic Computer skills. CANM major, specialization or Minor or consent of professor. (4 credits)
    The Music Video class is designed to enhance the student’s ability to cultivate and curate their own interpretation and self-expression through moving images to accompany a piece of music. Students will research, practice, and perform all aspects of film making, and editing to create a cohesive music video that demonstrates wholeness and cohesiveness from start to finish. Prerequisites: CANM 284 and/or CANM 288 or consent of the professor. Equipment and software needs: Adobe Creative Cloud, a camera, and a computer. (4 credits)
    Documentary films have their basis in the real world. They are made for a variety of purposes but fundamentally they explore the entire range of human experience. This course will examine the role of documentary filmmaking and all the various forms of the documentary. It will be a fascinating journey that will take students all over the globe and throughout history dealing with a wide range of issues both past and present. In this course, students will also examine how to make a documentary. It is therefore very practical in its focus. The first requirement to any documentary is knowing what the story is and what kind of story makes a good documentary. Having chosen a story, there is then the realization of it. Students will learn what is required to make the all-important pitch. They will then choose some stories and make short documentaries about them. (4 credits) Prerequisites: MC—F288 or MC-F310 and MC—F284
    This is an advanced video editing course where students learn the fundamental artistic elements of video editing. In this course, students will learn a variety of techniques such as rhythm, flow, the ability to enhance an actor’s performance through editing, visual storytelling, methodology for keyboard shortcuts, and accelerating the editing process. This course will be building on what is explored in the Video Editing course and taking it to the next level. Students will integrate the principle that the whole is greater than the sum of its parts and that every element of filmmaking finds its fulfillment in the cut. Prerequisites: CANM 284 or CANM 310 and CANM 288. (4 credits)
    This course will introduce you to the study of directing actors. You will be taught the fundamentals of preparing as a director for a role or scene. We will cover the specific demands of acting for the camera and discuss the differences between stage and film techniques. Through a variety of exercises, you will acquire the tools to direct actors to perform on camera with confidence. Topics covered include: diverse directorial styles; audition and rehearsal techniques; working with actors on a scene and character development; improvisation; story and text analysis; developing, blocking, and shooting a character-driven scene; editing a performance. Prerequisites: Only open to CANM major, specialization, minor, or content of the professor. (4 credits)
    In this course you will be introduced to the tools to create a wide range of projects turning your imagination into reality. You will have the opportunity to create professional designs, digital collages and illustration and graphic art. Deepen the understanding of your creative process and articulate your ideas from abstract to concrete. Equipment and software needs: basic computer skills, Adobe Photoshop, Illustrator and InDesign. (2 credits)
    Explore and learn the fundamentals of modern methods of digital arts. Learn different methods of graphic art, ranging from digital illustration, vector art, photo-manipulation, collage, formatting text and exporting for different media and to achieve a wide range of possibilities. This class will focus on teaching the basics of Adobe Suite, including Photoshop and Illustrator. Prerequisite: basic computer skills, drawing, painting or photography skills, Adobe Creative Cloud. (4 credits)
    Digital photography helps strengthen the connection between the photographer’s vision and the resulting images by providing nearly instant feedback and furnishing ever-subtler tools for self-expression. In this course, students learn foundational principles that underlie digital photography, while using principles of consciousness to consolidate both the experience and understanding of digital photography. Topics include: mastering the digital camera, managing a digital workflow, principles of composition and lighting, and expressing the photographer’s vision in the digital darkroom using Lightroom and Photoshop. Prerequisite: computer skills. $20 lab fee. (4 credits)
    The Studio Photography course will provide the foundational skills to attain well-balanced images of light, shadow, color, and composition. Students will explore a variety of different lighting scenarios of studio photography such as portrait photography, fashion photography, product photography, black and white processing and more. We will then explore the foundational principles of post-production processing beginning with RAW digital processing in Adobe Lightroom to prepare photos for additional JPG processing in Adobe Photoshop to create stunning and captivating images while integrating principles of consciousness and self-expression. Prerequisites: Basic computer skills, Adobe Creative Cloud (4 credits)
    With modern music recording and production being more accessible than ever, anyone with a computer can share the melodies in their head with the world. Be it a symphony or the next number one hit single, students will learn to use music creation software to make their dreams come true. Minor knowledge of music preferred. Students will learn basic compositional techniques as well as production and sound engineering methods to bring as much clarity to their vision as possible. (4 credits) Prerequisite: basic computer skills.
    The Mixing and Mastering course is designed to give students a well-rounded and foundational understanding of how to use the proper tools to separate, exemplify, equalize, compress, route, monitor and export audio to create a clear and pleasing sound to for listener that expresses all the audible frequencies available in a song. Students will work to mix and master their own music from the Digital Music Production course or in collaboration with fellow colleagues. Prerequisite: CANM 233. (4 Credits)
    Science fiction and fantasy writers use their creative intelligence and imagination to explore the full potential of life. The name speculative fiction is given to these popular genres because writers imagine different kinds of human society. Speculative fiction writers imagine what the future will be like, what additional abilities and attributes humans will develop, and how we might use science and technology to redesign life and shape new worlds in other solar systems. They also explore deep themes about what it is to be human, along with the benefits and dangers of technology and powers that are extraordinary. Speculative fiction stories can influence cultural trends, inspire political movements and contribute to debates about a wide range of ethical and social issues. An essential aspect of science fiction and fantasy writing is world-building, and we will dedicate time to looking at software that helps writers with this process. Every world a speculative fiction writer creates must also have compelling characters and a good story. Students will spend time working on story structure and techniques to develop a character. In this course, we focus on the writers of speculative fiction, examine some influential works, and undertake a course project writing a science fiction or fantasy short story or section of a novel. Prerequisites: WTG 191 or consent of the Professor. (4 credits)
    The Global Solutions course seeks to answer the question, why aren’t we doing enough to avoid the ongoing consequences of climate change, the depletion of natural resources and ecosystems, and loss of biodiversity? Any reasonable person can see that the need is great, the solutions are available, or within reach, and the consequence of not doing enough will be severely detrimental. Every day there are stories about the declining state of our world, and growing evidence of the negative impacts of global warming. Millions of lives are being impacted by the unsustainable use of the planet’s resources on an unprecedented scale and at breakneck speed. These global imbalances and lack of access to resources challenge the human dignity and self-development of hundreds of millions of people. Are there alternatives that provide self-determination, resource sufficiency, the regeneration of natural systems, and just and sustainable practices at every level of society? This course provides a critical understanding of the pressing issues of our world and its people and examines potential solutions that are regenerative for people and the planet. Debate, self-determined research, and course assignments will test all assumptions, examine counterarguments, and open paths for a student to determine their own trajectory. We enable you to discover and integrate new knowledge and experience, and to determine what part you wish to play in the great project of this century, one that we all know we need to achieve for the good of humanity. (4 credits)
    Students will be introduced to the process of preparing a story to be told in a visual medium. Students will learn the basics of script and screenplay writing by participating in basic skills exercises, including dialogue emulation and performance, script-to-screen analysis, and scene adaptation. To produce effective screenplays, students will develop their own toolkit for overcoming challenges in idea conception, story structure, and dialogue. Course work will result in scripts suitable for production in later courses. This is a writing-intensive course (4 credits)
    In this project-based course, the faculty will review the work produced by advanced students up until the course, then the faculty will guide, mentor, and assist students in improving upon and achieving their highest creative vision. In this course, students will be encouraged to experiment and approach their creative process from a place of freedom and intuition. The faculty will facilitate a more exploratory approach to media and cinematic arts and expose the students to a range of filmmakers, artists, musicians, and other such creators to get inspiration and learn from them. At the end of the course, students should have their best work fine-tuned, and be able to create from a deeper level. Prerequisites: 16 credits in MC or CANM courses and consent of faculty.
    In this project-based class students will have the opportunity to continue on the progress of the work started in the Media Lab class. Prerequisite: CANM 376
    This is a capstone course in which individuals who have taken the courses in Cinematic Arts & New Media or other programs, to come together to envisage and then realize a set of core projects across a range of media. These projects are formulated among the student group with the aid of faculty members. The first stage of the course will be the generation of the project ideas, which can include ideas that utilize a range of media or ideas that are focused on a particular medium, film, music, websites, etc. The central goal of the course is for students to apply everything they have learned to these projects. This can be a cooperative venture, so students can be involved in a variety of projects playing different roles on each one. The idea is to produce great projects that get noticed. Prerequisites: courses that teach skills that will be used on the Creative Studio. Creative Studio provides the ideal setting to undertake the senior project for those students who are graduating.
    In this course, students have a chance to further develop their skills, their understanding, and their portfolio by completing advanced media projects in film/ video, web design, graphic design, animation, music and/or sound design. Students may also work on a research essay in the field of their study in order to further develop their critical thinking and research 2015/16 242 skills. (Variable credits — may be repeated for credit) Prerequisite: CANM 380 and consent of the Cinematic Arts & New Media faculty.

To graduate with a bachelor’s degree, students must satisfy the following general education requirements:

    This course introduces students to three fundamental sources of knowledge that can be used together to evaluate any idea: personal experience, scientific reasoning, and traditional wisdom. On the basis of evidence from all three sources, a new consciousness-based framework is introduced as a new way of viewing the world and addressing its challenges.
    The course will explore the new paradigm in science that the “Physiology is Consciousness.” Current concepts of mind and body will be understood in terms of this new paradigm. This course will present our facts of brain structure and function in light of Maharishi Vedic Science and the discovery of Veda and the Vedic Literature in human physiology done by Tony Nader, MD, PhD. We will examine how our brain constructs reality at every moment and how the experience of unboundedness – the Self of every individual – can transform our physiology and awaken the total creative potential of the brain in enlightenment, which is the birthright of every human being.
    This course gives a deep and non-mathematical understanding of the differences between classical and quantum physics. It explains the meaning and mechanics of unification and symmetry, and the main concepts of unified quantum field theories and superstring theory. It shows that at the basis of the universe lies a completely unified field, a self- interacting entity from which all particles and forces arise through the process of spontaneous symmetry breaking. The course gives students experience and understanding of the interconnectedness between the laws of physics, the universe, and themselves.
    You will learn how the mathematics requirements at MIU affect you and whether you need to take a math placement assessment at a Mathematics Placement Meeting.
    Composition 2 develops the student’s ability to use language for a variety of purposes, subjects, and audiences. It focuses on both exposition and persuasion to strengthen those skills that will assist the student in succeeding academically. In this course, we read and discuss a range of prose models that reflect the diversity of thinking and writing across the disciplines. This course may be waived through transfer credit.
    This course explores the unfoldment of higher states of human consciousness — the full realization of your own limitless potential — as described by Maharishi and as experienced naturally and spontaneously by Transcendental Meditation practitioners and by people throughout history. The course examines the experiences belonging to each state, the developmental processes that culture each state, pertinent research, and practical outcomes of these experiences in daily life, thereby providing an overview of the range of possible experiences on the way to full enlightenment. This course is question and discussion-driven, with an emphasis on connecting this understanding of higher states to your own experiences.
    This course presents the latest knowledge from Western science and the Maharishi Consciousness-Based Health Care program concerning the optimum daily routine for establishing the foundation for lifelong excellent health and growing enlightenment. The major focus is on the details of the ideal routine of sleep, diet, exercise, meaningful activity, recreation, and the importance of the regular experience of pure consciousness for optimum health and evolution.
    A Forest Academy studies interdisciplinary themes from the Exploring Consciousness course, together with deep rest and rejuvenation. Students can explore more deeply the principles associated with developing their own inner intelligence and understand how that intelligence can be practically applied to specific areas of life. The goal of these academies is to connect the knowledge of the rest of the curriculum with universal principles of natural law and transform it into a living and useful dimension of the students’ lives. Fit for Life and Higher States of Consciousness are examples of forest academies.

You should plan to spend 12-14 hours per week for a 4-credit eight-week course. If you are taking 2 courses during an eight week period, you should plan to spend 24-28 hours per week of watching instructional videos and webinars, reading, completing assignments and discussion forum posts, taking quizzes and exams, and studying course materials.

The time it takes to complete an online course successfully depends on your willingness to stick to a regular schedule and learn to study effectively more than on any other factor. The program will apply the principles of Consciousness-Based Education, including the enlivenment of the inner intelligence of the body, through the daily practice of Transcendental Meditation. This is the fundamental approach of Maharishi AyurVeda and a central feature of our programs.


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